Bio

I’m an independent filmmaker and visual storyteller with a deep interest in realism, memory, and the quiet tensions of everyday life. My work often explores what remains unspoken, the small gestures, silences, and subtle shifts between presence and absence, the personal and the collective.

I’m drawn to stories that begin with ordinary people and familiar situations but gradually reveal something deeper beneath the surface. Rather than explaining everything to the viewer, I prefer to leave space for observation, ambiguity, and discovery. For me, some of the most powerful moments in cinema come from details that might seem insignificant at first, a look, a sound, an empty space, or a memory that refuses to disappear.

My approach has been shaped by working across directing, cinematography, editing, documentary, and animation. Moving between these different forms has taught me to think about storytelling not only through dialogue or plot, but through images, rhythm, movement, sound, and atmosphere. Whether I’m working with real people in a documentary or building a fictional world, I try to keep that same sense of honesty and closeness.

My films have screened at international film festivals and received awards, including recognition for cinematography. But what continues to interest me most is the process of finding a visual language that feels true to each story.

I believe cinema can do more than simply tell us what happened. It can place us inside a moment, allow us to observe, reflect, and feel, and sometimes leave us with something that stays long after the film is over.